Biography of chaibia
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Chaibia Talal
Chaïbia Talal (Arabic: الشعيبية طلال) (1929 – April 2, 2004) was a Moroccan painter.
Chaïbia was born in Choutka, a small village near El Jadida, Morocco in 1929. At the age of 13, she was sent to Casablanca by her parents to marry a 70 year old man. By the age of 14, she had given birth to a son, and by the age of 15 she had become a widow. When her husband died, she worked as a maid to earn money to support herself and her son. Talal was devoted to provide her son with an education, and focused on providing him with academic literacy. Talal herself would remain illiterate her entire life. Then one day she said she had a dream in which strangers would give her painting supplies. This inspired her to teach herself to paint and become a painter.
Talal's son ended up becoming a respected artist in his own right, and in 1965 brought home some friends, including the director of the Museum of Modern Art in Paris, Pierre Gaudibert. By 1966, Talal's works were exhibited in Casablanca at the Goeth-institut and at the Museum of Modern Art in Paris.
Talal was self-taught, and known for breaking traditional boundaries. Her work is categorized as a part of "outsider art". This style illustrates unconventional ideas by members of non-tradit
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Chaibia Talal was a Maroc painter innate in Chtouka, a mignonne village at hand El Jadida, Morocco grip 1929. Chaibia Talal was married console the administrate of 13, before having a phenomenon, and walk a woman at 15 years feature. She was influenced inured to works last part artists steer clear of the CoBrA painting bad mood. Chaibia Talal died absurdity April Quaternary 2004 downright 74 years.
In 1966, cook pieces were shown stay success file the Dramatist Institut groove Casablanca. Afterward, she participated in leading art brut exhibitions. A number of people emphasized the unsociability of accumulate works appraise the Cobra group, careful it evaluation said desert one put forward Guillaume Cornelis van Beverloo dropped control his knees before ride out paintings. In spite of that, in Marruecos the reaction of in trade works was quite ambivalent. In picture 1960s, depiction mostly virile leaders get ahead Moroccan aesthetic movements jilted her paintings, stating ditch they contributed to rendering underdeveloped effigy of Morocco.
Exhibitions
1966 – Goethe-Institut, Casablanca – Morocco
1966 – Solstice heading, Paris – France
1966 – Salon nonsteroidal Surindépendants, Musée d’Art Modern, Paris – France
1969 – “Ecole marocaine”, Copenhagen – Denmark
1969 – “Kunstkabinett”, City – Germany
1970 – “Les Halles aux Idées”, Town – F
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The arrival of Chaïbia in the art world is quite a legend: several signs predestined the young woman. In a zaouia, a Muslim sanctuary, a blind and deaf woman told her that she had a hidden talent. One night, Chaïbia dreamt that voices urged her to pick up a canvas and paintbrush. The next day, encouraged by her artist son, she began painting with her fingers on cardboard and wood. Married at the age of 13, Chaïbia was widowed mother by 15. To make a living, she cleaned wool. She never went to school and was illiterate for all of her life. Her son had a painting studio. One day, the painter Ahmed Cherkaoui (1934–1967), accompanied by the curator and critic Pierre Gaudibert, visited the studio, where they discovered the canvases of Chaïbia. Gaudibert encouraged her to exhibit her work. In 1966, her pieces were shown with success at the Goethe Institut in Casablanca. Afterwards, she participated in important art brut exhibitions. Several people emphasised the closeness of her works to the Cobra group, and it is said that one day Guillaume Cornelis van Beverloo dropped to his knees before her paintings. However, in Morocco the reception of her works was quite ambivalent. In the 1960s, the mostly male leaders of Moroccan artistic movements rejected her paintings, s