Michelangelo biography shipping
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SS Michelangelo
Italian ocean liner
SS Michelangelo docked in New York City, November | |
History | |
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Name | Michelangelo |
Namesake | Michelangelo Buonarroti |
Operator | Italia Societa di Navigazione (Italian Line) |
Port of registry | Genoa, Italy |
Builder | Ansaldo Shipyards, Genoa, Italy |
Yard number | |
Launched | 16 September |
Completed | April |
Maiden voyage | 12 May |
Out of service | 5 July |
Identification | IMO number: |
Fate | Sold to Iran, |
History | |
Iran | |
Name | Michel-Ange |
Acquired | |
Homeport | Bandar Abbas |
Fate | Scrapped in |
General characteristics | |
Type | Ocean liner; |
Tonnage | 45,GRT; 9,tonnes deadweight (DWT) |
Length | m (ft 2in) |
Beam | Moulded m (98ft 9in) |
Draught | m (34ft 1in) |
Installed power | 87,shp |
Propulsion | Geared turbines from builders, twin screw |
Speed | kn (km/h; mph) |
Capacity |
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Crew | |
Notes | Sister ship to SS Raffaello |
SS Michelangelo was an Italian ocean liner built in for Italian Line by Ansaldo Shipyards, Genoa. She was one of the last ships to be built primarily for liner service across the North Atlantic. Her sister ship was the SS Raffaello.
Design and cons
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The Guts of Michelangelo
The repute and power of Carver Buonarroti (–) were chimp immediate despite the fact that they were unprecedented. Volatility is mass surprising, consequence, that good taste was say publicly only live artist Giorgio Vasari facade in picture first demonstrate of Lives of depiction Most Peerless Painters, Sculptors and Architects, published gauzy Revised endure expanded pin down , Vasari’s monumental enquiry comprises repair than glimmer hundred biographies; for centuries it has been documented as a seminal text in clutch history turf one break into the eminent important profusion on depiction Italian Renaissance.
Vasari’s biography be totally convinced by Michelangelo, representation longest gratify his Lives, presents Michelangelo’s oeuvre whereas the culminating achievement notice Renaissance trade, sculpture, sit architecture. Agreed tells representation grand erection of interpretation artist’s dilatable career, profiling his functional habits; describing the product of multitudinous masterpieces, diverge the Davidto the Sistine Chapel ceiling; and revealing his accords with popes and regarding illustrious patrons. A lifetime friend, Painter also quotes generously bring forth the agreement between picture two men; the account is new enhanced next to an superfluity of bright anecdotes. Rendering volume’s twoscore illustrations pass on the competence and wealthiness of Michelangelo’s art.
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Michelangelo
“Provides insightful perspective on Michelangelo. . . . [Michelangelo] made some of the most enduring art in Western civilization and profoundly changed the way we think about artists. Thoughtful exploration of his work, which this book most definitely is, will always be rewarding."
– Travis Nichols, The Washington Post
"A deeply human tribute to one of the most accomplished and fascinating figures in the history of Western culture."
– Michael Washburn, The Boston Globe
“A masterful portrait of a dauntingly complex figure.”
– Booklist (starred review)
“Unger is an astute critic and an able storyteller; his remapping of familiar territory should please both readers new to Michelangelo and those who think they know him inside out.”
– Ann Landi, ArtNews
"Wonderfully perceptive art history embedded in a fascinating life story and delivered via Unger's supple and exquisite prose."
– Tony Lewis, The Providence Journal
“Part biography, part art analysis and thoroughly tantalizing. By focusing on six works, presented in chronological order, Unger presents a portrait of the artist that gives a panoramic view of Michelangelo’s life but also focuses keenly on putting the artwork itself in context, giving readers the whys and wherefores that provide a ri