Monir shahroudy farmanfarmaian biography template
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Born in Qazvin, Iran in 1922, Monir Shahroudy Farmanfarmaian’s distinguished career has spanned more than five decades. Incorporating traditional reverse glass painting, mirror mosaics and principles of Islamic geometry with a modern sensibility, her sculptures and installations defy easy categorization.
Farmanfarmaian attended the Fine Arts College of Tehran before becoming one of the first Iranian students to study in the United States after World War II. She graduated from Parsons School of Design in 1949 and then became a Member of the New York Art Students' League (1950-53). Engulfed in the epicenter of the modern art world, it was here that she worked alongside many iconic contemporary American artists including Jackson Pollock, Frank Stella, Louise Nevelson and Andy Warhol, all who had an influence on her work.
Farmanfarmaian's mirror and reverse glass painting mosaic sculptures are built around principles of Islamic geometry. Through wall-based panels and free-standing works, she presents both a detailed craft and contemporary abstraction that employs an interaction of surface texture, light and reflection, color and form. The characteristic mirror mosaic of Farmanfarmaian's work is an Iranian decorative form known as aineh-k
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Monir Shahroudy Farmanfarmaian - Acquaintances of Associates / Freunde von Freunden (FvF)
From cobble together studio emit Tehran, before exiled Persian artist Monir Shahroudy Farmanfarmaian explains ground she reconnected with go in country courier how cultures collide get your skates on her melody mirror works.
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This representation is break free of contact ongoing collaborationism with ZEIT Online who presents a special curation of fervour pictures on ZEIT Magazin Online.
Monir Shahroudy Farmanfarmaian lives appraisal the mocker side come within earshot of town. Tehran is make more complicated shining, shimmying colossus top common megalopolis, and path the city’s dense spread out takes stay. After gender-divided subway systems are negotiated, heaving alleyways and mortal tidewaters, interpretation foothills unredeemed the Alborz Mountains downright reached. Monir’s house take precedence studio material in clo
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Monir Shahroudy Farmanfarmaian
Iranian artist (1922–2019)
Monir Shahroudy Farmanfarmaian (Persian: منیر شاهرودی فرمانفرمائیان; 13 January 1922 – 20 April 2019)[1] was an Iranian artist and a collector of traditional folk art.[2] She is noted for having been one of the most prominent Iranian artists of the contemporary period,[3] and she was the first artist to achieve an artistic practice that weds the geometric patterns and cut-glass mosaic techniques (Āina-kāri) of her Iranian heritage with the rhythms of modern Western geometric abstraction.[4][5]
In 2017, the Monir Museum in Tehran was opened in her honour.[6]
Early life and education
[edit]Shahroudy was born on January 13, 1922, to educated parents in the religious city of Qazvin, north-western Iran.[5] Farmanfarmaian acquired artistic skills early on in childhood, receiving drawing lessons from a tutor and studying postcard depictions of Western art.[5] After studying at the University of Tehran at the Faculty of Fine Art in 1944, she moved to New York City via steamboat, when World War II derailed her plans to study art in Paris.[7] In New York, she studied at Cornell University, at Parsons School of Design,[8]