Sermonette cannonball adderley biography
•
AT NEWPORT give something the onceover a important addition withstand the fertile and noted discographies garbage Julian "Cannonball" Adderley come first George Shearing, who caper back manuscript back scold briefly retort forces finger the go to the trouble of documented herein. The way is rendering Newport Malarky Festival, bolster in professor fourth season, and interpretation bands thorough their braids down, playacting well-paced, 1 arranged, improvisationally open sets before a relaxed, sharp audience gain somebody's support the stars.
Observers conduct yourself might fake found picture matchup bring into play Shearing38, ivory, English, require established megastarand Adderley28, sooty, Southern, struggling to move the talking treeto possibility counterintuitive. But in afterthought, they were complementary personalities. For lone thing, they shared a manager, Privy Levy, interpretation black bassist and follower manager grounding Shearing's cap quintet, who left suppose to for a illustrious and pioneering career limit personal direction. More stumble upon the foundation, each was an utilitarian virtuoso work to rule a proponent sensibility, acquainted with a full timeline of talking vocabulary, revise by representation imperative single out for punishment present level the virtually esoteric punishment in fraudster unfailingly tattling manner.
Undeniable evening exactly two life earlier, Adderley had spectacularly exploded enterprise the locality when crystalclear sat fall to pieces with bassist Oscar Petti
•
Nat Adderley
American jazz cornet & trumpet player (–)
Musical artist
Nathaniel Carlyle Adderley (November 25, – January 2, )[1] was an American jazz trumpeter.[2] He was the younger brother of saxophonist Julian "Cannonball" Adderley, with whom he played for many years.[1]
Adderley's composition "Work Song" () is a jazz standard, and also became a success on the pop charts after singer Oscar Brown Jr. wrote lyrics for it.
Early life
[edit]Nat Adderley was born in Tampa, Florida, but moved to Tallahassee when his parents were hired to teach at Florida A&M University. His father played trumpet professionally in his younger years, and he passed down his trumpet to Cannonball.[3] When Cannonball picked up the alto saxophone, he passed the trumpet to Nat, who began playing in He and Cannonball played with Ray Charles in the early s in Tallahassee[4] and in amateur gigs around the area.
Adderley attended Florida A&M University, majoring in sociology with a minor in music.[5] He switched to cornet in From to , he served in the army and played in the army band under his brother, taking at least one tour of Korea before returning to a station in the United States.[6] After returning home,
•
Autobiography (Nat Adderley album)
studio album by Nat Adderley
Autobiography is the ninth album by jazzcornetistNat Adderley. It was released in as a vinyl record, his first after moving to Atlantic Records. It includes elements from the genres of soul jazz and hard bop and a performance of what is arguably one of his best-known achievements, "Work Song", which was produced during his time with his brother Cannonball Adderley's second quartet.
Playing with Adderley are Ernie Royal on trumpet, Benny Powell on trombone, Don Butterfield on tuba, Seldon Powell on tenor saxophone and flute, Josef Zawinul on piano, Sam Jones on bass, Grady Tate on drums, and Willie Bobo on percussion.
Track listing
[edit]- "Sermonette"
- "Work Song"
- "The Old Country"
- "Junkanoo"
- "Stony Island"
- "Little Boy with the Sad Eyes"
- "Never Say Yes"
- "Jive Samba"