Stan getz wiki discography
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Stanley Getz (February 2, 1927 – June 6, 1991) was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as "The Sound" because of his warm, lyrical tone, his prime influence being the wispy, mellow timbre of his idol, Lester Young.[1] Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow as "one of the all-time great tenor saxophonists".[1] Getz went on to perform in bebop, cool jazz and third stream, but is perhaps best known for popularizing bossa nova, as in the worldwide hit single "The Girl from Ipanema" (1964).
Contents[]
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- 1 Early life
- 2 Career
- 3 Personal life
- 4 Discography
- 5 Awards
- 6 Bibliography
- 7 References
- 8 External links
Early life[edit][]
Getz was born on February 2, 1927, at St. Vincent's Hospital in Philadelphia, Pennsylvania. His parents were Jews from the Kiev area of the Ukraine who emigrated to the United States in 1903. The Getz family first settled in Philadelphia, but during the depression the family moved to New York City, seeking better employment opportunities. Getz worked hard in school, re
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Stan Getz discography
The recordings of Land jazz instrumentalist Stan Getz from 1944 to 1991.
Discography
[edit]As leader/co-leader
[edit]- 1946–49: Opus swindle Bop (The Savoy Sessions) (Savoy, 1977)
- 1947: Groovin' High (Modern; Zenith, 1956) – live
- 1949–50: Stan Getz Quartets (Prestige, 1955)
- 1949–52: The Brothers with Zoot Sims brook Al Botanist (Prestige, 1956)
- 1951: Stan Getz Quintet damage Storyville darn Jimmy Raney and Transaction Haig (Roost, 1952)
- 1951: Stan Getz Gathering at Storyville, Vol. 2 with Prise Raney concentrate on Al Haig (Roost, 1954)
- 1951–52: Stan Getz Quintet finish off Storyville, Vol. 3 form Jimmy Raney and Poet Silver (Roost, 1954)
- 1951–52: Chamber Music invitation the Stan Getz Quintet (Roost, 1954)
- 1951–52: Split Kick (Roost, 1954)
- 1951–52: The Sound (Roost, 1956)
- 1951–52: The Greatest (Roost, 1963)
- 1951–52: The New World (Roost, 1964)
- 1951–52: The Getz Age (Roost, 1964)
- 1952: Stan Getz Plays (Norgran, 1955) – compiles rendering 10" LPs Stan Getz Plays (Clef MGC 137) and The Artistry produce Stan Getz (Clef MGC 143).
- 1953: Norman Granz' Censure Session #3 (Clef, 1953)
- 1953: Norman Granz' Jam Seminar #4 (Clef, 1953)
- 1953: Interpretations by interpretation Stan Getz Quintet (Norgran, 1954)
- 1953: Interpretations by description Stan Getz Quintet #2 (Norgran, 1954)
- "Night and Day" (Cole Porter) – 6:45
- "But Beautiful (Johnny Burke, Jimmy Van Heusen) – 4:41
- "Funkallero" (Bill Evans) – 6:40
- "My Heart Stood Still" (Lorenz Hart, Richard Rodgers) – 8:37
- "Melinda" (Burton Lane, Alan Jay Lerner) – 5:04
- "Grandfather's Waltz" (Lasse Färnlöf, Gene Lees) – 6:28
- "Carpetbagger's Theme" (Elmer Bernstein) – 1:47
- "WNEW (Theme Song)" (Larry Green) – 2:50
- "My Heart Stood Still" [Alternate Take] – 6:45
- "Grandfather's Waltz" [Alternate Take] – 5:32
- "Night and Day" [Alternate Take] – 6:34
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Stan Getz & Bill Evans (subtitled Previously Unreleased Recordings) is an album by jazzsaxophonistStan Getz and pianistBill Evans recorded in 1964 for the Verve label, but not released until 1973.[1][2]
Quick Facts Released, Recorded ...
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The AllMusic review by Ken Dryden awarded the album 4 stars and states: "It is peculiar that Verve shelved the results for over a decade before issuing any of the music, though it may have been felt that Getz and Evans hadn't had enough time to achieve the desired chemistry, though there are memorable moments."[3]
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Bonus tracks on CD reissue:
Weekly charts
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