Daphne javitch biography of michael jackson
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2017 Community Report: Better Together
Publication: The Community Report
June 24, 2017
Gifts and Grants by Fund
Community Leadership Fund
Each year, the Community Foundation asks individuals and families within our Northwest Corner to partner with the Community Foundation to support arts and culture, healthcare, education, human services, animal care, and land conservation. The collective charitable gifts provided through the Annual Appeal are vital to support the work of the Community Foundation.
$5,000-$9,999
Harriet Ford Dickenson Foundation, Margaret & Adrian Selby Fund, Dennis and Elena Sherva, Bunny Williams Foundation
$3,000-$4,999
Helen and Anthony Scoville
$1,000-$2,999
Joan and Stephen Altschuler, The Asen Foundation, Jayne Bentzen, The Bono Family Fund, Susan and Jeffrey Borghesi, Hope Childs, Marlene Childs, Nancy Kissinger, The Loyola Foundation, Judy and Peter Menikoff, Mullins Family Foundation, Philip V. Oppenheimer and Mary Close, Ellen and Sam Felton Posey, The Lawrence Power Charitable Foundation, Rudy and Ronald Rosenstein, Alan Rothfeld, Philip Samponaro, Wall, Wall & Frauenhofer, Katherine Wenning and Michael Dennis | in honor of Anne Sutherland Fuchs
$500-$999
Anita and William Baxter, Elizabeth and Martin Brayboy, The Lea Da
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Michelle Williams: Pain of losing Heath Ledger
The brilliant and beguiling Michelle Williams talks to Sally Singer about keeping it together when one's world falls apart.
Photographed by Mario Testino.
Michelle Williams these days divides her time between her house in Brooklyn and a house in upstate New York. The location of the latter property is a secret, for understandable reasons: Since the death in 2008 of Heath Ledger, the father of her daughter, Matilda, the beautiful and shy actress has inevitably found herself at the center of a morbid cult and, most pertinent, the object of the tabloids' banal, destructive intrusiveness. She has been extremely reluctant, as a consequence, to give interviews of any sort, even to promote her film work—the most recent example of which is Martin Scorsese's Shutter Island, in which she plays (not inappropriately) a ghost. Williams told me, "I didn't know what my boundaries were for a long time, which made interviews feel very unsafe. I can talk about grief, because that's mine; about single parenting; about trying to balance work and kids. But what I don't have to talk about is what happened between Heath and me in our relationship."
On a more concrete level, speaking with Williams involves meeting her at a variety of ne
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Filmmakers’ Bios
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