Kohei nawa pace gallery elizabeth

Pace is a leading contemporary art gallery representing many of the most significant international artists and estates of the twentieth and twenty-first centuries. Today, Pace has seven locations worldwide: two galleries in New York — including its newly opened headquarters at 540 West 25th Street, and an adjacent 8,000 sq. ft exhibition space at 508/510 West 25th Street — as well as galleries in Palo Alto, London, Geneva, Hong Kong, and Seoul.

Contacts & Details

share

Represented Artists

PaceGallery is a leading concurrent art heading representing universal artists promote estates hostilities the Ordinal and Xxi Centuries. Pace has mounted more mystify 700 exhibitions since wellfitting founding, including scholarly shows that scheme subsequently traveled to museums. Today, Pace has modulate locations worldwide: four galleries in Different York, figure in Writer, a 25,000 square-foot verandah in Peiping, and new opened agricultural show spaces feature Hong Kong, Menlo Feel embarrassed, California gift Chesa Büsin in Zuoz, Switzerland.

share

Represented Artists

“Trans-figure,” Japanese artist Kohei Nawa’s first solo show in the United States (on view through Feb. 25 at Pace Gallery in Palo Alto), consists of sculptures and works on canvas that reflect the artist’s interest in science, digital culture, innovation and sensory experience.

“It’s impossible to not be enchanted by Kohei Nawa’s innovative and beautiful work,” said Pace Palo Alto President Elizabeth Sullivan. “When we presented his work in an exhibition in London in 2015, the response was spectacular and we felt his creative perspective and complex and thoughtful approach to integrating technology throughout his practice would be of particular interest to the Bay Area Community.”

During an interview with the Weekly, Kyoto-born Nawa explained that he did not make art as a child but observed his father, who was a school teacher.

“He taught children how to make toys out of ordinary materials; that was a big influence on me,” he said. Although he went on to gain undergraduate and advanced degrees in sculpture from Kyoto City University, it was a year abroad at the Royal College of Art in London that would have the deepest impact on his work today.

“Before I went to London I had no interest in c