Rashida khatoon qawwali biography of alberta

  • The centerpiece of this record and what initially drew me in, is the opening track, a muqabila or contest with Rashida Khatoon a female qawwal!
  • ''A brilliant look into a major Sufi tradition that will be essential reading for anyone interested in Sufism, or mystical associations within religious.
  • Hakeem Abdul Hameed set up a complex of educational institutions over a period of time which finally got amalgamated in Jamia Hamdard in 1989.
  • This is a very special post. Indeed, it is probably the most significant post since the Washerman’s Dog began.  On offer tonight is a very rare (nay, extremely rare) collection of music from Afghanistan.  These recordings were made in 1990 as a ‘labour of love’ by one of my colleagues in the UN when we both were posted in Pakistan.

    The late 1980s were a period of intense activity in Afghanistan. The Soviets had admitted defeat (unlike the Americans today) and were in the process of pulling their forces back to Mother Russia. The bearded fanatics from whom, a few years hence would spring the Taliban, were punch drunk from their victory and cashed up with Saudi and American dollars. For secular, progressive and moderate Afghans, whether in Kabul or the sprawling refugee camps floating like human oceans around Peshawar and Quetta in Pakistan, life took a decided turn for the worse. Many were assassinated and plenty more were threatened with the same fate. Educated Afghan professionals who had managed to survive the Soviet occupation fled to Pakistan in great numbers.  Although a peace accord had been signed in Geneva, on the ground, chaos was the reality.

    Dr Md Sadiq Fitrat 'Nashenas'

    Among the professionals who fled to Pakistan i



     

     

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  • rashida khatoon qawwali biography of alberta
  • One of the funny and fun things about music is the unexpected connections that pop up sometimes, between the most improbable pieces. 

    I have been listening  to a record of qawwali by Yusuf Azad Qawwal recently and enjoying his popular take on this imposing and grand tradition of holy music. Indian cinema has long employed a light-hearted form of qawwali in films for decades, often to introduce a bit of humor or levity into a particular scene.  Records of filmi qawwaliare available from time to time, but is more a novelty than a serious genre.  For true followers of qawwali it is a travesty.

    Yusuf Azad Qawwal’s music seems to lie in a particular valley that is neither seriously religious nor completely frivolous. And that unusual location is the first unexpected connection that popped up.  Azad’s music is delivered with an attitude similar to that of a rock ‘n roller: unorthodox, uncompromising and sometimes downright bizarre. He is clearly having fun on every track but equally sings from his heart, whether it is about his love of the Prophet, the war of the sexes, the mortality of man or the (rail) road to heaven.

    Which leads to weird and slightly hilarious connection number two.  His qawwaliJannat ki Rai