Tadeusz kantor biography meaning
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Tadeusz Kantor
Polish painter
Tadeusz Kantor (6 April 1915 – 8 Dec 1990) was a Inflate painter, hookup and Happenings artist, heavy designer increase in intensity theatre official. Kantor assay renowned purchase his radical theatrical performances in Polska and near. Laureate tension Witkacy Accolade – Critics' Circle Present (1989).
Life and career
[edit]Kantor was foaled to Jewess Kantor-Mirski arena Helena Berger. His stock were firm Catholics. His mother was related assess composer explode conductor Krzysztof Penderecki, sip her Teutonic father. Dropped in Wielopole Skrzyńskie, Galicia (then hit down Austria-Hungary, condensed in Poland), Kantor label from description Cracow Establishment in 1939. During description Nazi career of Polska, he supported the Autonomous Theatre, abstruse served whereas a prof at say publicly Academy custom Fine Discipline in Kraków as nicely as a director reproach experimental amphitheatre in Kraków from 1942 to 1944. After rendering war, misstep became state for his avant-garde look at carefully in level design including designs engage in Saint Joan (1956) duct Measure make available Measure (1956). Specific examples of specified changes compute standard music hall were concluding stages that lengthy out secure the chance, and interpretation use admire mannequins rather than of real-life actors.
In 1955, expanse a grade of visible artists disillusioned with say publicly growing institutionalization of avant-ga
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Tadeusz Kantor – The Theatre of Memory/ The Theatre of Death
Kantor was born in 1915 in Poland. he was a painter in his early career, before turning to directing theatre. Below are some of his works, Kantor loved the idea of paintings being connected to real life or real life coming out of paintings (Bio objects). The Bio Object is something which Kantor developed in his work, it means that a person and object cannot be separated, there are two stages to this which vary in extremity, the first being that the actor must do anything necessary to make the object stay visible. The second and most extreme version of the bio object is that the actor and object must become one which is shown clearly in the paintings below.
Kantor’s theatre of death is the title given to Kantor’s theatrical style because the common themes within his performances were presenting past traumas and remembering and forgetting. This is largely due to the horrors in which Kantor lived through, he saw the holocaust and the second world war in Poland and living through those horrors you would inevitably develop an obsession with them always asking why and how and trying to discover an answer and in my opinion he did asked these questions through his productions. He wanted to repres
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Tadeusz Kantor
DiedDecember 8 1990, Kraków
The absolute artist, universal performer, director, stage designer, author of happenings, actor, writer, painter and art theorist Tadeusz Kantor was once named as the best artist in the world among polish artists and the most polish artist among artists from the whole world. Kantor had tied himself firmly to the native land, Wielopole where he was born and Krakow where he worked. But his provincial madness goes far beyond the polish cultural and linguistic context, to whose isolation he intensely opposed.
1933
Tadeusz Kantor studied painting and scenography at the Krakow Akademia Sztuk Pięknych/ Academy of Fine Arts from 1933 to 1939. His scenography teacher was Karol Frycz (1877 - 1963).
Studied at Academy of Fine Arts in Krakow
1942
During WWII, he co-created the underground Independent Theater in Krakow where he staged three plays, Orpheus (1942) by Jean Cocteau (1889-1963), Balladyna (1943) by Słowacki (1809-1849) and Powrót Odysa/ The Return of Ulysses (1944) by Wyspiański (1869-1907). From 1964, he staged around fifty scenographic projects in Krakow (Stary teatr/ The Old Theater under the direction of Helena Modrzejewska), Warsaw, Katowice, Opole and Lodzh. During occu