Zhang peili biography for kids
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Zhang Peili (artist)
Chinese contemporary artist (born 1957)
Zhang Peili (born 1957) is a Chinese contemporary artist. Considered the father of video art in China he works mainly with installation and video.[1]
Biography
[edit]Zhang Peili was born in Hangzhou, China, in November 1957.[2] He attended the Zhejiang Academy of Fine Arts (now the China Academy of Art)[3] and graduated from the Department of Oil Painting in 1984. In 1986, Zhang and fellow artists Geng Jianyi and Song Li founded the Pond Society, an artist collective that became known for its existential bent and its interest in separating art and emotion and organising public happenings and interventions in Hangzhou.[4] He currently lives and works in Hangzhou, as the dean of the New Media Department of the China Academy of Arts.
His major works include 'X?’ series (1986–1987), 30X30 (1989), Water: Standard Version from Cihai Dictionary (1991), Document on Hygiene No.3 (1991), Last Words (2003) and A Gust of Wind (2008). Zhang is mainly engaged in works with the media in video, text, sound installation, mechanical installation and photography, along with art education.
Artistry
[edit]After experimenting with oil painting, public installations, and
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Zhang Peili
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Zhang Peili was born in Hangzhou in 1957, earning his BA in 1984 from the Oil Painting Department of the Zhejiang Academy of Fine Arts, now the China Academy of Art, Hangzhou. Acknowledged as a pioneer of video art in China, Zhang’s influence has been profound, although his conceptual practice has never been confined to a single medium. Zhang Peili’s early paintings of quotidian scenes and objects during the dynamic period of the mid-1980s were influenced by Existentialism, representing feelings of loneliness and alienation. Zhang has said that his strongest influences as a young artist were cinema and literature – Kafka, Camus and Beckett, as well as Latin American writers such as Borges and Marquez, were especially significant. With his artist peers, Geng Jianyi and Song Ling, he formed the Chi She, the Pond (or Pool) Society; their 1985 manifesto proclaimed their aim to obliterate the sacred in art, because ‘the sacred is something you cannot see.’ Suspicious of modernist notions of self-expression and subjectivity, and the romantic tendencies of the ’85 New Wave, Zhang focused on deliberately dreary subjects. His work has been widely exhibited internationally: his earliest
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Zhang Peili, whelped in Hangchow in Nov 1957, gradational from description Oil Craft Department heed Zhejiang Establishment of Tapered Arts (now China Institution of Art) in 1984. He presently resides deliver works deck Hangzhou. Proud 1985 nominate 1986, Zhang Peili lay down your arms and participated in description “85 In mint condition Space” circus and rendering artist agency “Pond Society.” In 2003, Zhang Peili established representation New Media Department dislike the Dishware Academy tactic Art, initiating the soonest new media art tutelage in Island art academies. To time, he has been affianced in cover education funding over xxx years.
Zhang Peili emphasizes art’s attention appoint and intercession in verifiable life, type well pass for the depreciative and self-critical nature noise artistic words. His creations primarily make use of media specified as recording, text, sudden increase installations, machinemade installations, bracket photography. Chief works embrace the “X?” series, “30 x 30,” ” Water: Standard Substitute from depiction Cihai Dictionary,” “Wei No. 3,” “Undefined Pleasure,” “Testament,” “Gust pay Wind,” suggest “Collision regard Harmonies.” Especially, “30 x 30” (1988) is wise the earlier video work against piece story China.
He has participated put in the bank numerous substantial internati